Shloka Shankar is a freelance writer and visual artist from Bangalore, India. She enjoys experimenting with Japanese short-forms and different found poetry techniques. A Best of the Net nominee, her work has most recently appeared in Under the Basho, Rogue Agent, Right Hand Pointing, Drunk Monkeys, and so on. Shloka is the founding editor of the literary & arts journal Sonic Boom, and its affiliated press, Yavanika. Twitter: @shloks89
Where are you now?
I reside in Bangalore, India. My room is pretty much my haven.
What are you reading?
I am currently reading Beneath the Sugar Sky by Seanan McGuire and reviewing chapbook manuscripts. The former is for a found poetry challenge, called 'The Poeming,' that I will be undertaking in October 2018.
What have you discovered lately?
Confidence. Lots of it. I am also doing different things and experimenting more in terms of my writing and art.
Where do you write?
I make random drafts on my phone and then set about working on longer pieces sitting up in bed — blanket, throw pillow, and all!
What are you working on?
I run a literary & arts journal called Sonic Boom as well as its affiliated press, Yavanika. My team and I are currently wading through submissions. I also recently set up an online store for selling my art prints and other products, so that's an exciting new avenue to explore. I hope to bring out my debut full-length collection of Japanese short-forms of poetry in 2019.
Have you anything forthcoming?
I recently completed a 31/31 creativity challenge called 'Write Like You're Alive,' hosted by Zoetic Press. One of my erasures is forthcoming in the Write Like You're Alive Anthology 2018. I also have seven pieces forthcoming from h&) I will be guest editing The Haiku Foundation's 'Per Diem' feature for the month of December 2018.
What would you rather be doing?
I am in my happy place. There's nothing else I'd rather be doing.
Recent poems:
old doorways —
the nerve palaces
of midnight
pulling sins out of a dreamer conscience
- First published in the Ku section of Under the Basho, 2018.