The
Hard Remainder
Ashley-Elizabeth
Best
I'm reading through a poetry book,
making notes, notes that will eventually turn into a poem. As I write this I am
overwhelmed with anxiety. Recently I have been having difficulty writing,
trouble putting words together in the right order, of making the meaning I want
to make. Writer's block? Maybe. More likely, as in the past, it's the new
medication my psychiatrist has me on. For the past four years, every six months
or so, I try a new regime of medications in the hopes that it will be more
effective in helping me to live with Type II Bipolar. With every new regiment
of medication I have to relearn how to write. At least that's how it feels.
Last September I was on a medication that made me forget how to spell most
words, how to speak fluently and most disconcertingly whole words altogether.
It took me a month to figure out it was the medication hindering my words.
There was another medication two
years ago that made me gain twenty pounds and sleep constantly. When I was
trying not to sleep, I was writing. There were times I stopped taking the pills
to be able to write. Those were desperate decisions made badly. My writing life
is not my own in many ways. It's governed by emotions I don't know I'm having
until someone else tells me, by medication meant to chemically help me process
said emotions and the faulty wiring in my brain.
I won't complain too much. I can
usually figure it out after hours, days, and sometimes months at my desk. I
have to trust it will come back. Writing soothes a part of me I don't have
access to. I grew up in a house with few books and many siblings. I remember
loving to read as a kid and wanting to write a book into existence. There was
never time for writing then, not until I moved out. Helping my mother raise
four kids left no room for anything other than immediate problems. Those years
are lost to me.
Sometimes I try to quit, to stop
analyzing myself.
I ride the bus a lot, across the
country westward as far as Edmonton and once as far south as New Orleans. I get
some of my best ideas on Greyhound Buses. I'm able to get at a more honest
conversation with myself, something unlocked from the cage of my body. I can
practice being unknown, being a better me, a healthier me. Somewhere in Kentucky
on that bus to New Orleans I decided to stop trying to understand the mess of
myself. Instead I pulled out my notebook and wrote what I could by hand, toward
my destination, towards my own well-being.
It's embarrassing to discuss with
other writers. Often I say I can't write but not why, which leads to all sorts
of condescending advice. Well intentioned but not very helpful.
Now I've opted for a simpler,
quieter life. I'm able to read without children screaming around me, I can set
something down and know it will be there when I return. I like being
accountable only to myself. Sometimes time opens its expansive mouth and
swallows me whole.
I have absolutely no advice for
anyone else. Well, maybe one thing— read! I'm too busy pushing my own thoughts
through the medicinal fog, gathering whatever I stumble upon, scratching it
down before depression or medication reclaim it.
Ashley-Elizabeth Best is from Cobourg, ON. Her work has appeared, or is forthcoming, in CV2, Berfrois, Grist, dusie, Ambit Magazine, Glasgow Review of Books, Lumina, and The Literary Review of Canada, as well as a chapbook through above/ground press. Her debut poetry collection was shortlisted for the 2015 Robert Kroetsch Award for Innovative Poetry and appears with ECW Press in 2016. She lives and writes in Kingston.
Beautifully written. Thank you for helping me understand myself better!
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