Hey, short stuff!: On Writing Kids
Rob Thomas
Because people have asked: Yes, I am constantly shaking sand out of
my poems. I spend a large part of my day with two to three kids at some park or
other and that stuff gets into everything. Shoes. Underwear. Pant cuffs. Poems.
Speaking of poems,
I write them. I'm as surprised as anyone. It's a recent thing. Yes, I wrote
them as a young person. Yes, I've always kept journals. There are volumes and
volumes of them. These journals are filled with diary entries, notes, observations,
ideas I thought I might massage into something journalistic or otherwise
someday, maybe. They are scribble-books packed with typos, doodles and
kinda-sorta-stuff.
But as I began to
spend more and more time as a stay-at-home dad [and less and less time in the
real world] these journals began to fill up with – yes, sand – and notes about
my kids. These included my many minor frustrations, our misadventures… but,
mostly, the bizarre observations that only children can make. Kids do not live
in the same world that we do. Shadows are appendages. The stars are your
friends. The moon follows you everywhere. The sun pokes you in the eye. And,
sometimes, the entire sky can be squeezed into a puddle.
At some point in
the summer of 2012, I began to cobble these fragments together into very short
poems (I might have even daydreamed of a chapbook: Hey, short stuff!). I did this because they seemed unique and
intensely significant and I had no idea what else to do with them. This was
just after the birth of my third child. My plan (sleep deprivation may have
contributed here) was to write one poem per day for a year. I fell a little
behind schedule (hey, a schedules is just a fussy guideline). I’ve probably
written 100. About 50 could probably be turned into something interesting –
with more time and effort. A dozen or so have been published. Message in the bottles – the poem
selected for the 2013 John Newlove Poetry Award
– was one of these poems. I’m thrilled. Writing poetry is hard. I’m
lucky to have inexhaustible (really) subjects. It’s really wonderful to feel as
though my poetry is improving all the time (wish I felt that as a parent).
How does a
stay-at-home dad of three kids find time to write poetry? Wrong question. What
happens when a compulsive writer is immersed in the intense, stressful, joy
filled and very surreal world(s) of three toddlers. This. This is what happens.
I am so lucky.
Rob Thomas lives in Ottawa. He has poems forthcoming at The Steel Chisel and Bareback Magazine. His work has appeared places such as Broken Pencil, Feathertale Review, subTerrain, Chrysalis Zine, carte blanche, ottawater, Ottawa Arts Review, Jam Jar Words, Barnstormer and In/words. He’s working on his first chapbook.
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